Most of the template library assumes the work is a portfolio — the pitch is the craft, and the conversion is an enquiry. Kilnwork assumes the opposite: there is a shelf of finished pieces with prices on them, and the visitor came to buy one.
The shop is a `product` collection. Each item carries a photograph, a price, a description and its own Stripe payment link, so the owner adds stock by talking to Claude rather than editing a page. The index and the detail pages both come from that one collection.
A stocked range rarely covers everything — the wedding gift, the café's repeat order, the dinner set in a particular glaze. Those go through the commissions page, which carries a structured enquiry form (piece, timeline, budget) rather than a bare contact box.
Sitelas has no basket or inventory system. One payment link per item is the whole checkout, which suits a maker with tens of items rather than thousands — and means there is nothing to reconcile when a piece sells out.
Replace each product's Stripe payment link — create them in your Stripe dashboard, one per item
Swap the six starter products for your own: photograph, title, price, description
Replace the hero, studio and process photographs with your own work
Rewrite the three process steps to describe how you actually make things
Update the studio name, maker name and Bristol address in the header and footer
Set your real shipping terms in the hero meta line and product detail note
Point the Instagram and Pinterest links at your accounts
Add a webhook on the commissions form so enquiries reach your inbox
Catalogue-first shop for a maker who sells physical work — ceramics, jewellery, candles, small-batch food. Warm clay palette on oatmeal, Young Serif display over Inter. A product collection with one Stripe payment link per item drives the shop; a separate commissions page carries the made-to-order enquiry form. Built for the maker who has a stocked range AND takes custom orders, which is the shape most small studios actually trade in. Distinct from cami and pazari (portfolios where the work is the pitch and the conversion is an enquiry) — here the conversion is a purchase.
Free to use · No credit card required

A bold podcast and creator page with dark charcoal tones, electric purple accents, episode listings, guest spotlights, and platform subscription links — designed for shows that want to look as good as they sound.

Warm hospitality link-in-bio for a café, wine bar, or restaurant — a faithful Linktree profile-card. A warm-sand page gutter with one elevated, fully-rounded ~600px centered white card; no header, no footer, and no email-capture section (a venue converts on reserve/menu/call). Ink-brown type, a bottle-green accent, Newsreader + Inter. Inside the card: circular logo → serif name → one-line bio → a 2-up photo-backed action pair (Reserve · Menu) → a grouped flat list panel with photo thumbnails → a social/contact row with a real tap-to-call link, then a horizontal 'on now' shelf of 3 Stripe items, and a short about block the card ends on. The action tiles ARE the conversion (menu-reservation).

Brand/organization link-in-bio for festivals and live events — a faithful Linktree profile-card. A plain near-black page gutter with one elevated, fully-rounded ~600px centered card; the darkened event photo lives INSIDE the card. No header, no footer. Off-white type, festival-yellow accent, Anton + Inter. Inside the card over the photo: circular logo → bold condensed name → dates/location line → vertical stack of sharp white cards (square logo tile, 2-line label; the priority Buy-tickets card filled festival-yellow) → social-icon row, then a stacked passes strip with Stripe buy buttons, a short about block, and the inline presale-list capture the card ends on. The cards ARE the conversion (ticket-sale).